The term "pas redouble" refers to a quick-step military march that was prominent in the nineteenth century. It denotes a specific, brisk tempo used in military drills and musical compositions.
Understanding "Pas Redouble"
Historically, military marches were categorized by their pace, serving different tactical or ceremonial purposes. "Pas redouble" specifically indicated a quicker tempo, distinguishing it from other march types of the era.
Types of Nineteenth-Century Military Marches
In the context of nineteenth-century military movements and corresponding musical works, three primary types of marches were recognized, each defined by its speed:
- Pas ordinaire: This was the slow march, characterized by a deliberate and measured pace.
- Pas redouble: This denoted the quick-step march, a faster and more energetic tempo.
- Pas de charge: This referred to the double quick-step march, the fastest pace, often associated with a charge or rapid advance.
"Pas Redouble" in Music
The terminology of military marches frequently transcended its direct military application and found its way into musical compositions. A notable example is Camille Saint-Saëns' "Pas Redoublé, op. 86," composed in 1887 for piano four-hands. The title of this piece directly reflects the quick-step military march, embodying its lively and spirited character in a musical context.
Comparative Overview of March Paces
To further illustrate the meaning of "pas redouble" and its place within nineteenth-century military terminology, here's a comparative overview of the distinct march paces:
| French Term | English Meaning | Description |
|---|---|---|
| Pas ordinaire | Slow March | A measured, deliberate pace for movement. |
| Pas redouble | Quick-Step March | A brisk, faster tempo suitable for marching. |
| Pas de charge | Double Quick-Step March | The fastest pace, resembling a run or charge. |
